COMPOSITION DE-COMPOSITION COMPOST
(the emergence of a music-biology)
THE BEGINNING OF THE 21 st CENTURY REPRESENTS THE POSSIBILITY TO CREATE A NON-COGNITIVE MAPPING SEQUENCE. THIS POSSIBILITY EMERGES OUT FROM THE IDIOMATIC MUSIC SCENARIOS THAT HAVE BEEN PRACTICED IN CONTEMPORARY CLASSICAL, JAZZ AND ROCK MUSIC FORMS. (composition) DE-COMPOSITION IS REPRESENTATIVE OF THE ABSTRACT MODERNISM THAT HAS DOMINATED THE 20TH CENTURY.

THIS FORM HAS PERMEATED ALL ART FORMS, INCLUDING ARCHITECTURE, PLASTIC ART AND MUSIC. THE LAST DECADE OF THE 2Oth CENTURY EXPERIENCED A PERIOD OF DE-CONSTRUCTION, SEEMINGLY THE LAST BREATH OF MODERNISM AND HER ANTICEDENTS. THE END OF THE COLLAGE AND ABSRTACT ANALYSIS. (de-composition) COMPOST EMERGES AS A “TRANSVERSALITY” , A NON- LINEAR AND HETEROGENIC MUSIC BIOLOGY. THIS IS A MUSIC SEQUENCE DESCRIBED BY GUATTARI / DELEUZES/ DE LANDA IN THEIR PHILOSOPHY OF BWO (BODY WITHOUT ORGANS).WE ARE PRESCRIBING A MUSIC BIOLOGY THAT IS INTER-LINKED WITH OTHER CREATIVE ART MOVEMENTS. WHAT EMERGES HERE THE HYBRIDIZATION OF MUSIC.
‘One must ask what space exists for the creation of intelligent acts, acts that go beyond an idea of specialized activity and specialized knowledge. Where one can situate a condition for the hybridization of knowledge.” (maurice blanchot)

THERE IS A CRITICAL DISTINCTION BETWEEN THE TWO DIFFERENT MAPPING SYSTEMS. REPRESENTED BY THE TREE AND THE BULB. THE TREE/ROOT SYSTEM REPRESENTS A BINARY MAP, A STATIC MAP, A HOMOGENEOUS , SELF CONTAINED UNIT. MANUAL DE LANDA DESCRIBES AN “ABSTRACT MACHINE OF STRATIFICATION” WHICH FUNCTIONS AS A NON-LINEAR ‘SORTING COMPUTER” CREATING A HETEROGENEOUS MESH (MAP). THIS MESHWORK IS REPRESENTED AS A BULB IN THE WORK OF DELEUZE AND GUATTARI. HERE WE FIND A NON-LINEAR MAPPING SEQUENCE, BASED ON LINKS AND HYBRID NAVIGATION (UNMAPPING SEQUENCE) GEOLOGY. “THE BULB (RHIZOME) IS ALL TOGETHER A DIFFERENT MAP. THE ORCHID DOES NOT REPRODUCE THE TRACING OF THE WASP, IT FORMS A MAP WITH THE WASP, IN A RHIZOME. WHAT DISTINGUISHES THE MAP FROM THE TRACING (TREE/ROOT) IS THAT IT IS ENTIRELY ORIENTATED TOWARDS AN EXPERIMENTATION IN CONTRAST TO THE REAL. THE MAP DOES NOT REPRODUCE AN UNCONSCIOUS CLOSED IN UPON ITSELF; IT CONSTRUCTS THE UNCONSCIOUS. IT FOSTERS CONNECTIONS BETWEEN FIELDS, THE REMOVAL OF BLOCKAGES ON BODIES WITHOUT ORGANS. THE MAP IS OPEN AND CONNECTABLE IN ALL OF ITS DIMENSIONS , IT IS DETACHABLE, REVERSIBLE , SUSCEPTIBLE TO CONSTANT MODIFICATIONS. LIKE A NAVIGATOR WHO IN ONE TRAJECTORY USES THE METRO, THE BUS, AND FOOT IN COMBINATIONS, THEREBY INTEGRATING A NETWORK OF BODILY AND MECHANIC LOCOMOTIONS INTO ONE ASSEMBLAGE . A RHIZOMATIC OR NOMATIC THOUGHT WOULD FORGE LINKAGE OR CONNECTIONS BETWEEN SYSTEMS OF KNOWLEDGE- FORMATIONS.” (DELEUZE/GUATTARI) THE MUSIC-BIOLOGY COMPOST IS AN INTERLINKED “BODIES WITHOUT ORGANS” CONNECTING FIELDS OF KNOWLEDGE FORMING A TRANSVERSALITY:
Hyb Q RANDY NAYLOR STAVANGER, NORWAY APRIL 19 2001References: Manual De Landa, A Thousand Years Of Nonlinear History.
Maurice Blanchot, The Writings of the Disaster
Eleanor Kaufman/Kevin J Heller, Deleuze & Guattari
LIBERO ANDREOTTI, THEORY OF THE DERIVEMITCHEL RESNICK, TURTLES , TERMITES, AND TRAFFIC JAMS
F.DAVID PEAT, SYNCHRONICITY